My Image

Claude Williamson

Keys West

Location Los Angeles
Date 2 + 19 May 1955
Liner notes Will MacFarland

My Image

Tracks

10" LP – H-6511

1. Get Happy (Harold Arlen & Ted Koehler)
2. On the Atchison, Topeka and the Santa Fe (Harry Warren & Johnny Mercer)
3. Spring is Here (Richard Rodgers & Lorenz Hart)
4. Like Someone in Love (James Van Heusen & Johnny Burke)
5. Of Thee I Sing (George & Ira Gershwin)
6. Don’t Get Around Much Any More (Duke Ellington)
7. Yesterdays (Jerome Kern & Otto Harbach)
8. Between the Devil and the Deep Blue Sea (Harold Arlen & Ted Koehler)

12" LP – T-6511

1. Get Happy (Harold Arlen & Ted Koehler)
2. On the Atchison, Topeka and the Santa Fe (Harry Warren & Johnny Mercer)
3. Spring is Here (Richard Rodgers & Lorenz Hart)
4. Like Someone in Love (James Van Heusen & Johnny Burke)
4a. My Heart Stood Still (Richard Rodgers & Lorenz Hart)
5. Of Thee I Sing (George & Ira Gershwin)
6. Don’t Get Around Much Any More (Duke Ellington)
7. Yesterdays (Jerome Kern & Otto Harbach)
7a. The Kerry Dance (James Lynam Molloy)
8. Between the Devil and the Deep Blue Sea (Harold Arlen & Ted Koehler)

Personnel

Tracks 3, 5, 8

2 May 1955

Claude Williamson

piano

Max Bennett

bass

Stan Levey

drums

Tracks 1, 2, 6

19 May 1955

Claude Williamson

piano

Buddy Clarke

bass

Larry Bunker

drums

Tracks 4, 7

19 May 1955

Claude Williamson

piano

Down Beat Review

Williamson comes into fuller dimension here than on his previous record appearances. His work has an electrically energetic quality in several if these sides, most notably the flashing Salute and, of all things, Indiana. His Obsession and Courtesan are swingingly pleasant if not distinguished originals. Williamson handles the standards with a good ear for color contrast and his own straitly marked imagination.

Penny is a fine Jimmy Shirl-Ervin Drake ballad that I wasn’t familiar with up to now, and it’s sensitively interpreted here by Williamson. Good rhythm support by Curtis Counce and Stan Levey and good recording quality. Again, Stan Kenton’s notes for this Kenton Presents album are of no help to the listener. More musical detail and less homilies, please.

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